The strange thing is I never kept this poster, at the time, because I thought it may have some sort of interest value 30 years later. No I kept it for the drawings I did on the back. But now it takes on a new significance as we view the apartheid state as it was when I was at the media centre at 1 Intelligence Unit, Kimberley, having been booted off the actual "Burgersake", or Civic Action, course which was geared to intelligence-gathering in "the operational area" of SWA. This poster sums up what these okes were about, as the African masses rallied against apartheid and they sought to win them over.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidtJLzZDGa1hPZp2CV7c0YK1pAdsJZSukCzHZVm1dFxkB9YnzPv9R4KkkmA4zOm_X2F-KQW4MK8ivJF1JOyD2zoX9uwrKol655E0dTZyxbzNg7p8x_WTwB6CwXoqz_KXKDbf6hGl_KDpsA/s400/newposter.jpg)
This had been folded to fit in a large official envelope and, using an A4 scanner and a photomerge facility on Adobe photoshop, I was able to get the thing looking almost like it should.
The real reason I kept the poster was for these quick sketches of okes in the media centre, and a mug of coffee. Here, too, I had to photomerge the images.
A colleague in that media centre, his surname Selkirk, features often in my sketches. I like the use of the additional colourful doodles.
This Selkirk guy was something of a dab hand at using the airbrush, and I think this is him again, drawn against a page where he had probably tested the equipment. I wonder who Bruce Coleman was. It is not my handwriting.
No comments:
Post a Comment