Kin Bentley In Line: Global rock legends, Pollok Beach, Esme Goosen, Mara Sapera

Tuesday, August 30, 2011

Global rock legends, Pollok Beach, Esme Goosen, Mara Sapera

I am an unashamed advocate of the view that the music of the 1960s and 1970s, when I was growing up, was so ground-breaking that groups subsequently have battled to make an impact in the wake of what happened in those decades. I wrote an A-Z of the best musos of that period and it is posted here. Also in 2004, I wrote condemning a plan to put a conference centre at Port Elizabeth's Pollok Beach. There are also a couple of art reviews I had published in the Herald.

This article on the greatest musicians of the 1960s and 1970s filled a page of TGIF, the Herald's Friday supplement, on August 27, 2004. It continues in two parts below - but read the U and V sections now as they aren't repeated. (To see the print larger, please click on the text.)

The second part of my piece on the greatest musos of our time.

The final part of my piece on the greatest musos (remember U and V are in the first take). Subsequent to this article I started the mammoth task of compiling a blog about the musicians listed here. I've got pretty damn far and you can read it at http://globalrocklegends.blogspot.com

My piece on the conference centre plan, which appeared on August 31, 2004.

I got some support for my article on the musicians.

This letter, also in the Herald, appeared on September 6, in response to a debate on affirmative action covered in the previous posting.

The wonders of the steam age! I got backing for my views on the conference centre in this letter from Brazil, thanks no doubt to the online edition of the Herald.

My review of an exhibition featuring top PE artists Esme Goosen, Stephanie Liebetrau and Andre Dalton, which appeared on October 6, 2004.

My review of an exhibition by Mara Sapera, which appeared on October 14.

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About this blog

This blog has morphed from one thing to the next, and will continue to do so.

The latest offerings are of a political nature, though the main role of the blog is to put online scanned versions of my sketches, which make up the bulk of the first part.

* Earlier, I returned to a project I suspended on September 12, 2011, namely posting clilppings from my writings in the Herald newspaper in Port Elizabeth. From those you'll have gleaned that I was first prevented from writing political letters and articles critical of the ANC government.

Then my art reviews came under fire - from the hallowed halls of academia, no less.

* Before this, I posted a series of book reviews and an account of recent travels.

* There is also a short autobiographical novel, Little K and the Big World.

Below is a summary of what was posted before that. (NB. To view pictures larger, hold down "shift" and left click on the mouse. Click again to see it even larger.)

* During the 27 years I have worked as a journalist, I have kept random samples of my work. Initially, when I joined the Evening Post in Port Elizabeth in 1984, I kept a scrapbook, so those first years – when the anti-apartheid struggle really started hotting up – are fairly well covered.

By the time I joined the Eastern Province Herald in about 1988, I’d stopped collecting my stories, but I have one article I wrote that year which I think captures the mood of those dark times.

During two years in the UK – 1990 and 1991– when I worked as a correspondent for the SA Morning Newspaper group, I kept no cuttings. The same applies to the early 1990s when, back on the Herald, I covered the gradual transition to democracy. After the April 27, 1994, first non-racial elections, I moved to the sub-editing department, where I have been ever since.

When Robert Mugabe started his crackdown in 2000, I took up the pen again in a big way – and was lucky to have been given space by then editor Ric Wilson to vent my spleen in the Herald. In between, I wrote numerous book reviews and art crits, which balance out the offerings. I began this section with the more recent stuff, from 2000 onwards, and will take up this project again in 2012.

* Having all but exhausted my sketches on this blog - though I have yet to post pictures of my paintings and a few carvings - I thought I would digress into other areas of interest, and use a few of my photographs to illustrate them.

As Thabo Mbeki and the ANC set about rubbishing everything to do with our colonial past, I found myself rather cherishing what our ancestors had done here, notwithstanding my obvious detestation of the apartheid system which, had Jannie Hofmeyr lived to succeed Smuts after the Second World War, may not have happened. It is interesting to note that the National Party came to power in 1948 despite polling 100 000 fewer votes than the United Party. This was the effect of "loading" the urban constituencies.

Anyway, the East Cape has seen a fair share of interesting history down the centuries, some of which is covered here.

There is also history in stamps and envelopes. A few years back I went to a Port Elizabeth antique shop in the hopes I could acquire some old SA stamps from my youth. At first things looked bleak. The dealer only had posh albums of expensive stamps. But wait, he said, I do have a couple of black bin bags cluttering up the place somewhere, full of useless old stamps and envelopes. He gave them to me for about R100, if I recall correctly.

From these I have made several postage stamp-based artworks, photos of which I'll be posting, eventually. I also discovered a treasure trove of envelopes which had been posted to the City Treasurer of the PE Municipality as well as to the Divisional Council and another whole batch sent by dealers around South Africa to the Ford Motor Company in PE. These all date from the early 1960s, so we're talking 50 odd years ago. Each envelope tells a story.

* Initially I started this blog to illustrate how I learnt the art of drawing, after many years of toil, and how, once learnt, this skill has accompanied me throughout my life.

At each step, since about the mid-1970s, I have, where possible, made drawings that are often a more telling record than any photographs.

You will find a plethora of styles and techniques, but the bottom line – forgive the pun – is an attempt to get at the visual truth. As we go along, I explain each work and how I came to do it – that is, where I remember precisely when they were made.

* Remember, as this is a blog, the story starts from the first post and works its way upwards, as it were.

Click on the images to see them in a larger format. If you want an image to fill your computer screen, press F11. Press the same key to escape.

My thanks, again, go to my son, Douglas, who was just 16 when he helped me put together the header for this blog. Most of the more creative ideas - and all the technical expertise - in this regard were his.

Tuesday, August 30, 2011

Global rock legends, Pollok Beach, Esme Goosen, Mara Sapera

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