Kin Bentley In Line: Saki Macozoma, BEE, Brenda Schahmann, Cosatu, Port Elizabeth, Anton Momberg

Wednesday, August 31, 2011

Saki Macozoma, BEE, Brenda Schahmann, Cosatu, Port Elizabeth, Anton Momberg

For a small coterie of conveniently connected comrades, the advent of democracy in SA brought wealth beyond their dreams. One of them was Saki Macozoma. I took a little dig at him in the Sunday Times in 2004. This post also carries an art crit I did for the Herald, Port Elizabeth, which ruffled a few sanctimonious academic feathers. I again tried to encourage Cosatu to split from the ANC and criticised plans to ditch the name, Port Elizabeth. Finally, there is a review of an exhibition by scultpor Anton Momberg.

My letter criticising Saki Macozoma led the page on October 17, 2004, in the Sunday Times. I see there was also a letter of support for David Bullard. We all know what became of him a few years later. (Please click on the text to see it larger.)

I printed out my original on Saki. This shows how editing can change the nuances of a letter.

The first part of my review of Through the Looking Glass, an exhibition curated by Brenda Schmahmann, professor of fine art at Rhodes University. The piece continues below. Imagine my surprise, a few months later, to find a lengthy personal attack on me by this academic in the pages of the Nelson Mandela Metropolitan Art Museum's newsletter. Re-reading this, I think what probably most irked her was that it was wittily written and maybe just a little too close to the truth. I've mislaid her attack on me, and my response, but hope to uncover them soon. Please watch this space.

The concluding part of my review of the Through the Looking Glass exhibition.

I hoped, against hope, that the fact that Cosatu boss Zwelinzima Vavi and a few of his mates were booted out of Mugabe's Zimbabwe dictatorship might lead to some sort of split within the ANC-led alliance. Seems the split, if it is to be, will instead be led by Julius Malema.

Mkhuseli Jack again got up my nose with his clamour for Port Elizabeth to lose its name. This is the top part of the article, which concludes below. It was published in the Herald on November 4, 2004.

The conclusion of the name-change article.

A review of Anton Momberg's exhibition. I remember the wonderful job he did in the early 1990s restoring and cleaning the marble statue of Queen Victoria outside the Main Library in Port Elizabeth.

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About this blog

This blog has morphed from one thing to the next, and will continue to do so.

The latest offerings are of a political nature, though the main role of the blog is to put online scanned versions of my sketches, which make up the bulk of the first part.

* Earlier, I returned to a project I suspended on September 12, 2011, namely posting clilppings from my writings in the Herald newspaper in Port Elizabeth. From those you'll have gleaned that I was first prevented from writing political letters and articles critical of the ANC government.

Then my art reviews came under fire - from the hallowed halls of academia, no less.

* Before this, I posted a series of book reviews and an account of recent travels.

* There is also a short autobiographical novel, Little K and the Big World.

Below is a summary of what was posted before that. (NB. To view pictures larger, hold down "shift" and left click on the mouse. Click again to see it even larger.)

* During the 27 years I have worked as a journalist, I have kept random samples of my work. Initially, when I joined the Evening Post in Port Elizabeth in 1984, I kept a scrapbook, so those first years – when the anti-apartheid struggle really started hotting up – are fairly well covered.

By the time I joined the Eastern Province Herald in about 1988, I’d stopped collecting my stories, but I have one article I wrote that year which I think captures the mood of those dark times.

During two years in the UK – 1990 and 1991– when I worked as a correspondent for the SA Morning Newspaper group, I kept no cuttings. The same applies to the early 1990s when, back on the Herald, I covered the gradual transition to democracy. After the April 27, 1994, first non-racial elections, I moved to the sub-editing department, where I have been ever since.

When Robert Mugabe started his crackdown in 2000, I took up the pen again in a big way – and was lucky to have been given space by then editor Ric Wilson to vent my spleen in the Herald. In between, I wrote numerous book reviews and art crits, which balance out the offerings. I began this section with the more recent stuff, from 2000 onwards, and will take up this project again in 2012.

* Having all but exhausted my sketches on this blog - though I have yet to post pictures of my paintings and a few carvings - I thought I would digress into other areas of interest, and use a few of my photographs to illustrate them.

As Thabo Mbeki and the ANC set about rubbishing everything to do with our colonial past, I found myself rather cherishing what our ancestors had done here, notwithstanding my obvious detestation of the apartheid system which, had Jannie Hofmeyr lived to succeed Smuts after the Second World War, may not have happened. It is interesting to note that the National Party came to power in 1948 despite polling 100 000 fewer votes than the United Party. This was the effect of "loading" the urban constituencies.

Anyway, the East Cape has seen a fair share of interesting history down the centuries, some of which is covered here.

There is also history in stamps and envelopes. A few years back I went to a Port Elizabeth antique shop in the hopes I could acquire some old SA stamps from my youth. At first things looked bleak. The dealer only had posh albums of expensive stamps. But wait, he said, I do have a couple of black bin bags cluttering up the place somewhere, full of useless old stamps and envelopes. He gave them to me for about R100, if I recall correctly.

From these I have made several postage stamp-based artworks, photos of which I'll be posting, eventually. I also discovered a treasure trove of envelopes which had been posted to the City Treasurer of the PE Municipality as well as to the Divisional Council and another whole batch sent by dealers around South Africa to the Ford Motor Company in PE. These all date from the early 1960s, so we're talking 50 odd years ago. Each envelope tells a story.

* Initially I started this blog to illustrate how I learnt the art of drawing, after many years of toil, and how, once learnt, this skill has accompanied me throughout my life.

At each step, since about the mid-1970s, I have, where possible, made drawings that are often a more telling record than any photographs.

You will find a plethora of styles and techniques, but the bottom line – forgive the pun – is an attempt to get at the visual truth. As we go along, I explain each work and how I came to do it – that is, where I remember precisely when they were made.

* Remember, as this is a blog, the story starts from the first post and works its way upwards, as it were.

Click on the images to see them in a larger format. If you want an image to fill your computer screen, press F11. Press the same key to escape.

My thanks, again, go to my son, Douglas, who was just 16 when he helped me put together the header for this blog. Most of the more creative ideas - and all the technical expertise - in this regard were his.

Wednesday, August 31, 2011

Saki Macozoma, BEE, Brenda Schahmann, Cosatu, Port Elizabeth, Anton Momberg

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